THE AESTHETICS OF BALAGHAH AND MEANING EXPLANATION IN CLASSICAL ARABIC POETRY: AN ANALYSIS OF THE QASIDA SHAUTU SHAFIRI AL-BULBULI: ESTETIKA BALAGHAH DAN PENJELASAN MAKNA DALAM SYAIR ARAB KLASIK: ANALISIS QASHIDAH SHAUTU SHAFIRI AL-BULBULI

Firmansah Setia Budi; Rohanda Rohanda; Yusuf Ali Shaleh Atha; Cahyudi Prima

doi:10.51190/muaddib.v02i02.61

Authors

Firmansah Setia Budi Sekolah Tinggi Agama Islam Minhajul Haq, Indonesia Author https://orcid.org/0009-0006-6864-7427
Rohanda Rohanda Universitas Islam Negeri Sunan Gunung Djati, Indonesia Author https://orcid.org/0000-0002-6401-0502
Yusuf Ali Shaleh Atha Holy Quran and Islamic Sciences University, Yemen Author
Cahyudi Prima Sekolah Tinggi Agama Islam Minhajul Haq, Indonesia Author

DOI:

https://doi.org/10.51190/muaddib.v02i02.61

Keywords:

Asalib balaghiyah, classical Arabic poetry, Shautu Shafiri Al-Bulbuli qashidah

Abstract

Studies on Arabic literature, particularly classical Arabic poetry, remain relatively limited within the Indonesian academic context. This condition has resulted in a low level of familiarity among students of Arabic language programs, both in Arabic Language and Literature and Arabic Language Education, with early Arabic poetry, which often leads to difficulties in understanding its meanings and linguistic aesthetics. This study aims to contribute to facilitating students’ general understanding of classical Arabic poetry, while also revealing its aesthetic dimensions through an analysis of the asalib balaghiyah contained therein. This research employs a mixed methods approach, combining qualitative analysis through a library research approach and quantitative percentage calculations. Data were collected through documentation by examining various literary sources relevant to the research theme. The results indicate that there are 22 instances of asalib balaghiyah found in the qashidah Shautu Shafiri Al-Bulbuli by Al-Ashma’iy, consisting of 8 instances of uslub majaz, 7 of uslub tasybih, 5 of uslub ithnab, and 2 of uslub kinayah. These findings demonstrate that Al-Ashma’iy tends to employ metaphorical expressions (majaz) more dominantly than other types of asalib balaghiyah in the qashidah.

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